Frankfurt-on-Main, Year XII [1803] to 1813.
10 volumes in-8 gathering 864 plates in total :
-Year XII : 85 plates numbered from 500 to 584.
-Year XIII : 84 plates numbered from 585 to 668. Small stain on plate 656.
-Year XIV-1806 : 107 plates numbered from 669 to 776.
-1807 : 84 plates numbered from 777 to 860, small stains on plates 808, 839.
-1808 : 84 plates numbered from 861 to 944.
-1809 : 84 plates numbered from 945 to 1028, some foxing on plates 945, 1004, 1028.
-1810 : 84 plates numbered from 1029 to 1112.
-1811 : 84 plates numbered from 1113 to 1196. Small stain on plate 1185.
-1812 : 84 plates numbered from 1197 to 1280.
-1813 : 84 plates numbered from 1281 to 1364. Small stain on plate 1364.
Copy contemporarily bound without the explanatory text. Some faces drawn in pencil on the hat plates.
Bound in green long-grain half morocco with corners, smooth richly adorned spines, red morocco title pieces. Contemporary binding.
202 x 124 mm.
The years 1803 to 1813 of the Journal des dames et des modes inspired by the Revue de La Mésangère.
Colas 1565 ; Lipperheide, zb 15 ; Hiler, 486.
1797, this journal continued without interruption until the end of 1829. Every five days a number appeared adorned with a pretty colored figure representing a costume, and the 15th of each month even included two plates, which made 72 numbers with 84 plates for the whole year, of which the price was 35 francs. 7 (Brunet, III, 795).
1this publication, in octavo format, was accompanied by fashion engravings titled ‘Costumes parisiens’. One would be content with the engravings, in case the text was missing 7. (Bookseller’s Bulletin, year 1857).
This journal appeared continuously from 1797 to 1829. It was one of the first illustrated French fashion magazines.
Its model, the journal La Mésangère saw the day in Paris on March 20, 1797, founded by the bookseller Séllèque and Madame Clément, with La Mésangère as collaborator for the engravings.
This periodic appeared under several names: Journal des dames, Costumes parisiens, Journal des modes or Journal des dames, Journal de la Mésangère and finally Gazette des salons for its last publications.
The return to wardrobe freedom was accompanied in 1797 by the emergence of specialized journals: Tableau général du Goût, des Modes et Costumes de Paris, by Francesco Bonafide, and Le Journal des Dames et des modes, launched by the bookseller Jean-Baptiste Sellèque joined by the abbé La Mésangère. The latter handled all aspects of the journal, drawing, composing the legends of illustrations, writing articles. He roamed Paris in search of novelties, which he then praised or criticized in the Journal des dames. Indeed, with royalty gone, it was no longer the court that made or unmade fashion, but the popular spots of the capital, promenades, theaters, balls, where one showcased new and daring outfits crafted by designers, dressmakers, and “modistes”.
The journal reached its peak under the consulate and the empire. Surrounded by a lavish court, aspiring to rival with that of the old regime but sometimes lacking in assurance and discernment, Napoleon recommended it as a guide to good taste. Actresses, like the very young Mademoiselle George, showcased creations from modistes consulted by La Mésangère. The court ladies adopted these new models, which other women then copied in turn. The taste for antique fashions, to which David had contributed, had caused a stir for its excesses. A new readership, notably women, was eager for novelties and advice. Le Journal des Dames offered them this information, while being a display case for the French textile industry and know-how.
The magazine was devoted to feminine and also masculine fashions. It paid particular interest to accessories, particularly hats and scarves. It was concerned with shoes and how to maintain them. Fashionable hairstyles were also listed
Superb copy, as new, grouping in 10 volumes the entirety of the 864 prints of eleven years of the magazine (1803 to 1813), presenting costumes water-colored by hand at the time, preserved in its fresh and bright bindings from the period.
Copies of the Journal des dames et des modes grouping more than ten years of the review complete with all prints and uniformly bound at the time are of the greatest rarity.
The whole forms a very refined panorama of early Empire feminine fashions.
